Friday, April 5, 2013
Let me sing you a Waltz! :P
Friday, March 22, 2013
A beautiful kind of madness...
Just so to update you, i am in the middle of getting my feet wet in the 2 most awaited events which i was looking forward to since a long time. The journey , though has just begun...
My desperate quest for knowing/understanding/learning Indian psychology has gifted me with a wonderful opportunity to be a part of a 4 day academic seminar and rigorous workshops ( http://www.ipi.org.in/events/delhimar13/tentative-schedule.php ) with some of the best practitioners in this field from East and West. It was my first day today, and I am already filled to the brim! No points for guessing, I have high hopes and expectations from these four days of immersion in my own cultural philosophy.
Also equally exciting is the Centre exhibition ( http://www.krcindia.org/Activities.asp ) which is to take place this weekend. I have, in my own small ways, since many years, dedicated a part of my so called 'artistic abilities' to be manifested in any kind of re-cycling and re-using objects of daily use. There is a wonderful joy in just painting an old envelope or a paper bag to make it re-usable or using it as a canvas that i can't explain! This exhibition, primarily centering on just BEING (which i buy the way, absolutely love) is just another attempt to have fun with myself and self-absorb in some of the most simplest things i like to pursue which is making bookmarks, diaries, pens made of newspaper, and my newly discovered love of making fountain pens out of wood...
A sneak peek into my 'products' for this year! Hoping to have fun in this year's Exhi-sale !
A few hand made diaries, primarily reusing Wedding Cards |
My quintessential bookmarks! =) |
My newspaper pens! ;) |
Newly tried old-styled fountain pens, for you to paint or try your hand at calligraphy! Made of simple nib, wood and feathers (self discovered and hand picked, i really love to pick up scraps from roads! :D ) Let's see how many 'mad' people like me are going to use it ! ;)
Labels:
bookmarks,
colours,
diaries,
exhibition,
feather,
fountain pens,
happy,
Indian Psychology,
keychains,
MAD,
newspaper pens,
tatting
Sunday, March 10, 2013
Shiva
SOHAM- HAMSA
Free Association.
Mahakala: “On one hand there is the Saguna Brahman, the samsara,
which is the infinity of forms, endless. On the other, the Nirguna Brahman,
which is formless infinity, absolutely no form, zero as far as form is
concerned. Between these two, connecting them together is Mahakala. He is the
fulcrum, the tangent between Infinity and Zero. ”
Smarahara: “In Sanskrit, the
word for memory and the word for the God of lust is the same: Smara. Desire is
the cause of all karma, and when desire is destroyed memory too will go, and
you will be free. That is why Losd Shiva is called Smarahara (meaning Destroyer of Lust as well as
Destroyer of Memory.) Sma in grammar means “past”. Memory is the only past. Sma-rahara is He who transforms you from present
tense to past tense. He who kills you. Sma-shan is the place where you go from present
to past, where you are transformed from existence into a memory.”
Kita bramari nyaya- the Law
of Caterpillar and Butterfly: whatever you concentrate on you will eventually
become.
Dhuni- sadhu’s fire
“Kamaturnam
na bhayam na lajja”: fear and shame do not exist for those afflicted with the
disease of desire.
The
expression of Shakti in the physical body is Prana, the life force, the power which keeps body, mind and spirit
functioning together as a living unit.
Third Eye
“My forehead aches a lot while meditating. It’s
uncontrollable”.
“Why is there creation? Because of friction. Without
friction there is no creation. And wherever there is friction, there is fire.
Can you produce fire without friction? No. Unless you take it directly from the
sun, using a magnifying glass for instance.”
"can you control creation? Art is my supreme creative expression. Free".
‘Where even ravi (the sun) cannot reach, there
will go a kavi (poet). But that does not go far enough. I say, ‘where even a
kavi cannot reach, there will go an anubhavi (experiencer).”
Two souls merge into one another, can
anyone describe it?
Ekamukhalingam. (completed on Mahashivratri 2012). pencil and silver paint on paper.
Reference: Shiva Temple, Bhumara, Madhya Pradesh.
This journey of self exploration continues.
content and satisfied.
moving forward.
already in love with 2013.
with a smile. =) wish you all a very Happy Mahashivaratri! blessed be with wisdom and love.
*Deep gratitude to Mom, for holding my hand and pushing me to discover/know/realize Shiva.
Labels:
art,
creative expression,
Ekamukhalingam,
me,
ONE,
pain,
primordial unity,
sanskrit,
shiva and shakti,
time,
unconditional love
Tuesday, February 19, 2013
Wednesday, February 6, 2013
bani
Our name is our virtue?!
I love my name... 'bani' or ' vani' literally translates to Speech. the term appears in many Hindu vedic texts as well as sikh texts referring to gurbani- that is, guru's speech. one of my earliest reference to my name that was taught to me is with regard to one of Kabir's famous dohas.
I love my name... 'bani' or ' vani' literally translates to Speech. the term appears in many Hindu vedic texts as well as sikh texts referring to gurbani- that is, guru's speech. one of my earliest reference to my name that was taught to me is with regard to one of Kabir's famous dohas.
एसी बानी बोलिए, मन का आपा खोय ।
औरन को शीतल करे, आपहु शीतल होय ॥
aesi bani boliye, mann
ka aapa khoy
auran ko sheetal kare,
aapahu sheetal hoy...
Translation:
Speak such words, sans
ego's ploy
Body remains
composed, giving the listener joy.
Recently, while studying Kundalini and Chakras, i came across an interesting reference and description of bani, that i feel like sharing. The following is an interaction between Vimalananda and the author that i've extracted from the book Aghora I and Aghora II- Kundalini by Robert Svoboda, wherein the teacher is explaining the disciple, the FOUR LEVELS OF SPEECH:
Mantra is the energy
which moves your vehicle (the yantra) according to the road map (tantra).
Mantra is a collection
of sounds. When pronounced their vibrations provide energy to yantra. Sound
appears on an electromagnetic spectrum as one variety of energy which can be
manipulated by the Tantric. There are three main types of Mantra:
a)
Descriptive-
usually in Sanskrit, these Mantra describe wither the process undergone, the
desired goal, or both.
b)
Meaningless-
aggregations of sounds which have no known meaning in any human language.
c)
Bijas-
individualized nasal syllables.
Bijas means seed, and these ‘seed-sounds’ produce fruit according to the
Bijavrksha Nyaya, or the Law of Seed and Tree. These frequent repetition of
these Bijas eventually results in a sort of standing wave, permanently
energizing either an external Yantra or some area for the aspirant’s brain,
resulting in the continuous production of a specific effect, one which is
coherent with the personality invoked. Four types of Vani or speech exist for
the pronunciation of Mantra:
a)
Vaikhari-
vocal speech
b)
Madhyama-
nasalized speech
c)
Pashyanti-
purely mental repetition
d)
Para-
telepathy is speech, in which only the intention but not the sound is conveyed.
The more subtle the speech, the deeper its
effect on both the individual and the surrounding environment. Just as a laser
produces coherent light, a human brain can produce coherent energy when a
single frequency (Bija) is selected and is amplified appropriately with Yantra
and Tantra.
The four levels of
speech are, from lowest to highest, Vaikhari, Madhyama, Pashyanti and Para.
Vaikhari, vocal speech,
is only for mundane things; it is physical speech, which always has an external
object. Madhyama, as the name
suggests, is midway between the mundane and the spiritual. It is mental speech
so its object is internal. Pashyanti is only for spiritual things. Pashyanti means
‘seeing’-seeing with the divine eye, clairvoyance. Actually it is not seeing,
it is perception, because the physical organ of sight plays no part or a very
minor part in it. The eye acts only as a vehicle for this perception. And para
is meant only for Rishis. It is beyond perception; it is telegraphic speech,
the highest.
Vaikhari, Madhyama,
Pashyanti are predominated by Tamas, Rajas and Sattva respectively. Since the
world we know it, Maya, is the result of these Three Gunas, the use of these
three forms of speech is limited, imperfect because they all exist within Maya.
The state beyond the Gunas is the state beyond Maya. That state is perfect
because it is absolute, and that is Para.
Look at it with the
help of syllable Om. The three and half coils of the Kundalini represent the
three and a half letters of the word Om: a, u, m, and anusvara (nasalization)
at the end. But Om also has a bindu (orthographic dot) over the anusvara. Anusvara
and bindu cannot exist without one another. Bindu is a point: position without
dimension, as they define it in mathematics. Anusvara is pronounceable in
Vaikhari and Madhyama, but bindu van be pronounced only in Pashyanti and Para.
How do you pronounce a dot? You can’t , but the intention to pronounce it can
be present. Intentions counts for nothing in Vaikhari. Intentions counts for
something in Madhyama, and for a lot in Pashyanti. But intention counts for
everything in Para. In fact, para is nothing but intention: the purified
intention of a purified ego, a Kundalini Shakti which has been magnified
millions of times by intense penance. Bindu is used when the Kundalini moves
from the Vishuddha Chakra into the Ajna Chakra, when Shunya begins. That is the
very nature of bindu: emptiness, which is the source of all sound, the field
from which sound arises.
Here is another way to
look at it. What is the word for ‘sweet’ in Sanskrit?
“Swadu or madhura”.
“Of all sweet things
in the world only honey is madhu,
because only honey can offer sweetness to the body without being digested
first. This is because honey has already been digested by bees. Madhura has an
extra ‘ra’ in it; that refers to the
Fire Element. Anything that is madhura must first be digested before its
sweetness can be released into the system. Of all forms of speech only Para is
truly madhu. Para goes directly to its target and exerts its effect
immediately, just as honey does in the body. All other speech must first be
digested by the hearer before its effect can be felt. Pashyanti is always
madhura, atleast , and Madhyama usually is, which is why they are so useful. But
vaikhari is only sometimes sweet, because it is under the control of all Six
Tastes. This is why sometimes we speak sweetly, and at other times our words
are sharp, or bitter, or sour, or salty, or cold and hard.”
More on Kundalini later... =)
Have you ever thought about your name? does it mean anything? does it hold any significance in your life?
Wednesday, January 16, 2013
Catching Dust!
Something about the way you Smile, i may never know the Reason why...
I am in the process of
doing my undergraduate research project with autistic children. Being an expressive person myself , i’m quite
intrigued by the interplay of emotions. So when i was reading about autism and
their ‘deficit’ of emotional understanding and attachment, it was hard to
digest which is why i began my journey to explore and experiment...
Nevertheless, i shall
rant less about my research and more about my new found love. Yes, I have been swept
off my feet by one of such priceless ‘gem’ that I discovered during my exploration.
Her name is Muskaan which literally translates
to a smile.
Muskaan is a 13 year
old (extremely pretty) autistic and non verbal child. This means that apart
from autistic symptoms, she has not spoken a word or a syllable or a sound since
her birth. Quite evidently, being a non verbal child, I could not proceed with
my ‘research design’ with her, since my activity involved at least basic communication verbal with the child. Moreover, Muskaan has also had frequent epileptic fits since
the age of 2 years. She is EXTREMELY thin, with no basic human instinct to eat and
drink (so practically food has to be forced into her). She also suffers from gravitational
insecurity (especially an avoidance towards stairs, though she is comfortable
in an elevator.)
The only time that I spent with her was 2 hours (1 hour on each day) during her session of Auditory Integration Therapy. I am told that she has made marked improvements. There was
a time when Muskaan would just refuse to hear any sound or music and
immediately locate it’s source to unplug it. She also has this obsession of
holding pins (board pins or staple pins) in her hand, but she is not at all
self injurious. She also has this constant habit of peeling... (wood paint or
scratching anything that is scratch-able).
Even though I spent
only 2 hours with her, her presence in my life has been bliss. That one hour
with her seemed like ages of communication making time- elastic and filtering
moments. The first time I met her, she did not seem scared of me at all (otherwise
very atypical of her behaviour). The second
time I met her, was after a gap of 20 days. She entered the room, came towards
me and held my sweater from the waist. Was she hugging me? :O *dazed* I would definitely
like to assume YES! And this was one of those moments i felt i was in a trance
and unable to react. She spent some time looking around in the room, locating
the pin and holding it in her hand. The speech therapist and i had to
forcefully make her sit down to make her listen to musical rhymes on the
computer as part of her routine.
Muskaan generally has
an expressionless face, with only occasional slight smiles. Her smiles are to
die for... i used to literally dance whenever i would see her smile or meet her eye
(as she rarely makes an eye contact). The moment of absolute bliss was when she
would turn towards me, in hope that i would help her ‘escape’, by holding my
hand on the last day. She held my hand soo tightly that she just wouldn’t leave
me even after her session was over and she was supposed to go to the first
floor in the elevator.! :O What is all this if this is not COMMUNICATION of
emotions?
I am told that Muskaan
is only close to her mother. She has an elder sister and father with whom there
is not much of interaction. Sad...aint’t it? If Muskaan was my biological
sister , i would dedicate my life to her, pamper her, LOVE her! =( [ i still
would though... i’m never ever going to forget her!] she has taught me the
meaning of ‘relationship’. Muskaan loves
to wander when left to herself... imagine.. she is so FREE! Can normal humans
ever match this level of detachment and yet unconditional love? Can you imagine
undergoing intense physical or emotional pain and not complaining about it? us, so called normal human beings just know how to crib and whine about little worries. Can
you imagine talking incessantly to a person, without ever being conscious of
being JUDGED in return? I spent some beautiful moments talking with Muskaan that i’ve
never felt soo comfortable talking to anyone else! Muskaan teaches us the
power of non verbal communication. She is not Abnormal.. she is Above-normal!
=) We have so much to learn from these autistic children...that i'm overwhelmed with my every encounter with each one of them. they're far more interesting than us! =)
And all that I'm left
with my encounter with Muskaan in the beginning of this journey of the ‘kind’of
people i would like to interact and share my life with, are the words of wisdom
by my Sir, that it doesn’t matter what kind of therapy you are practicing... because
“EVERYBODY RESPONDS TO LOVE”...
I love Muskaan...
वो धीमी सी मुस्कान ,
वो प्यारा सा चेहरा
भर के आकांक्षाएं हज़ार ...
वो छोटी सी पल्कें
वो होटों की सरसराहट ,
वो मोती आसूं का
रह गया मेरे पास ...
वो गुनगुनाती ख़ामोशी
वो सपने देखने की चाह
वो मद्धम हो रही ज़िन्दगी की आहट
क्यों नहीं सुन पाया मैं आवाज़ ?!
वो मासूम सी आँखें
वो धीमी सी मुस्कान ...
Don’t be so caught up
in words... you’re lucky to be able to speak... so keep EXPRESSING... in any
medium that you’re comfortable in! =)
Blessed be
Wednesday, January 2, 2013
Cosmic Dance
Tehri and new tehri...
The deeper you go,the higher you fly,
Labels:
cosmic dance,
love,
mountains,
shiva and shakti,
spirituality,
travelling
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