Sunday, October 28, 2012

Are you blind?

Firstly, I'm really happy to invite you all to one of my last 'performances' in college. After a month of directing  my juniors, I myself feel like going up on the stage and acting! Been really long..but then, it's kind of hard for me to facilitate and act at the same time. Today I'm remembering my dear seniors and 'teachers' who have given me some amazing moments on stage as co- actors as well as directors. We're nearing our performance..and the cast is all geared up. One thing I've realized about myself is that I really love working with amateur actors. I love workshopping with them.. It's so raw and beautiful and genuine! I'm going to miss all this... Anyway, so here's an open invitation to you all! :P


There's another thing i feel like writing about.. probably as means of catharsis. Something that has been irritating me since yesterday.. I was there at college yesterday, and reached there a little early for practice. Seemed like there was some event yesterday since it was buzzing with people from other colleges. So there's a place just outside our auditorium, a space between 4 pillars where students usually decorate Rangoli or an installation depending on what the event is. Yesterday the place was decorated with a beautiful rangoli. As I was sitting, waiting in the foyer, I noticed a girl run over the rangoli, and I literally had a jaw drop. I was shocked and before i could tell her, she ran away. Probably she was in a hurry. I got back to reading my book, when again I noticed a guy walk over the rangoli as if he was completely blind! :O That was the time I snapped and asked him why couldn't he walk around the pillar rather than walk OVER a piece or art?! It's not even as if there is a lack of space! And the worse thing is that I saw 3 more people doing that. Are people really blind that they can't SEE Art let alone appreciate it.. or they just ignorant!? Not belonging from our college is not even an excuse that i can fathom for such an act! Seeing the rangoli getting spoiled in front of my eyes, while i was there practicing was really really painful! =(

Saturday, October 20, 2012

Violet- Gold

Recap...

Firstly, the bad news is that i've stopped WRITING the journal. Good thing is that i'm blogging. ;) I should write more...been procrastinating since a long time. As the journey to psychology keeps getting close, somehow developing the skill of writing seems imperative. Nevertheless, may be i'll go back to writing the journal every week, or at least will try to blog.
'Excuses' for all this is that lots of things are happening. Classifying them broadly in 2 categories: Theatre and Psychology.

Last week was crazy. I was asked to help in making some props to be used in a production facilitated by my theatre teacher/s. I was supposed to make 4 "abstract flutes/pipes". Now how does one make an abstract flute?! This involved a lot of trial and error. Finally agreed upon making the flutes with plastic water-bottles, since Sir quite appreciates my effort of re-cycling stuff. Raw structure-done! Now comes the difficult part- the colour and decoration of these flutes! crazy crazy. tried multiple colours-silver, gold, blue, orange. But ended up with the beautiful violet-gold. My love and association with violet-gold light keeps strengthening over the years...i love the way this light energy guides me through.



Another theatre venture that i've undertaken recently is that I'm directing a play. Just a psychology department initiative, but extremely special for me, because i think this is going be my last directorial venture. This play is also special because it is another perspective to another play that i did before. So i like to call it- Black White Etc II. We've picked up the theme of exploring the experience of Motherhood through the eyes of the women (and not the child, as psychology often does). Need your blessings in successful communication and exploration that i hope to do with this piece of art.



Also started my project of understanding the Meditation chakras and it's symbolism, thanks to Carl Jung! Let's see where this goes now...

Moreover, amidst all this psychodrama of life, paid a visit to explore raw idols of one of the Indian Mother Archetype... ;)
~ Embracing and seeking to know 'Ma'. Happy Durga Puja to all!








Saturday, October 6, 2012

Wings...


My incandescent love for feathers and birds often also makes me accessorize and 'decorate' myself with them! When just recently when my sister teased me, pulling my leg, and a passing a comment that "You have so many feathers now, you better grow some wings?!" hehe..And so I did! found these beautiful 'Wing' earrings for myself, in the most beautiful of places, up north, while i was enjoying a vacation in the middle of beloved clouds and mountains, rain and rainbows! ;)

Journey to Dharamshala...


 A Freebird, black or white
Has flown away, out of sight
Caressing the clouds, into the blue
With wings of change, vivid and new...



 Breaking the cage of inhibition, she flies
The clipped wings unclipped, she dives,
In hues of creation and love that be
Expands gently the more she gives to thee...




Exploring the infinity far and wide
She formulates within,an adventure ride.
Topsy-turvy, the chasm, the abyss
A black cloak with golden lining, in times amiss...






Tuesday, September 18, 2012

Hidden Dragon!




Clouds come floating into my life, no longer to carry rain or usher storm, but to add color to my sunset sky...
- Rabindranath Tagore (Stray Birds)



Wednesday, September 12, 2012

LOVE-Madness in the Age of Reason!


I'm going to share (by far) , my most Favourite Greek mythology story that i just read!

Celestial Cupid, her famed son, advanced,
Holds his dear Psyche sweet entranced,
After her wandering labours long,
Till free consent the gods among
Make her his eternal bride;
And from her fair unspotted side
Two blissful twins are to be born,
Youth and Joy; so Jove hath sworn."
-John Milton


Cupid and Psyche
Cupid and Psyche, also known as The Tale of Amour and Psyche and The Tale of Eros and Psyche, is a myth that first appeared as a digressionary story told by an old woman in Lucius Apuleius' novel, The Golden Ass, written in the 2nd century AD. Apuleius likely used an earlier tale as the basis for his story, modifying it to suit the thematic needs of his novel.


Lucius Apuleius's Cupid and Psyche
A certain king and queen had three daughters. The charms of the two elder were more than common, but the beauty of the youngest was so wonderful that the poverty of language is unable to express its due praise. The fame of her beauty was so great that strangers from neighboring countries came in crowds to enjoy the sight, and looked on her with amazement, paying her that homage which is due only to Venus(Aphrodite in Greek) herself. In fact Venus found her altars deserted, while men turned their devotion to this young virgin. As she passed along, the people sang her praises, and strewed her way with chaplets and flowers.

This homage to the exaltation of a mortal gave great offense to the real Venus. Shaking her ambrosial locks with indignation, she exclaimed, "Am I then to be eclipsed in my honors by a mortal girl? In vain then did that royal shepherd, whose judgment was approved by Jove himself, give me the palm of beauty over my illustrious rivals, Pallas and Juno. But she shall not so quietly usurp my honors. I will give her cause to repent of so unlawful a beauty."
Thereupon she calls her winged son Cupid(Eros in Greek), mischievous enough in his own nature, and rouses and provokes him yet more by her complaints. She points out Psyche to him and says, "My dear son, punish that contumacious beauty; give your mother a revenge as sweet as her injuries are great; infuse into the bosom of that haughty girl a passion for some low, mean, unworthy being, so that she may reap a mortification as great as her present exultation and triumph."

Cupid prepared to obey the commands of his mother. There are two fountains in Venus's garden, one of sweet waters, the other of bitter. Cupid filled two amber vases, one from each fountain, and suspending them from the top of his quiver, hastened to the chamber of Psyche, whom he found asleep. He shed a few drops from the bitter fountain over her lips, though the sight of her almost moved him to pity; then touched her side with the point of his arrow. At the touch she awoke, and opened eyes upon Cupid (himself invisible), which so startled him that in his confusion he wounded himself with his own arrow. Heedless of his wound, his whole thought now was to repair the mischief he had done, and he poured the balmy drops of joy over all her silken ringlets.
Psyche, henceforth frowned upon by Venus, derived no benefit from all her charms. True, all eyes were cast eagerly upon her, and every mouth spoke her praises; but neither king, royal youth, nor plebeian presented himself to demand her in marriage. Her two elder sisters of moderate charms had now long been married to two royal princes; but Psyche, in her lonely apartment, deplored her solitude, sick of that beauty which, while it procured abundance of flattery, had failed to awaken love.
Her parents, afraid that they had unwittingly incurred the anger of the gods, consulted the oracle of Apollo, and received this answer, "The virgin is destined for the bride of no mortal lover. Her future husband awaits her on the top of the mountain. He is a monster whom neither gods nor men can resist."

This dreadful decree of the oracle filled all the people with dismay, and her parents abandoned themselves to grief. But Psyche said, "Why, my dear parents, do you now lament me? You should rather have grieved when the people showered upon me undeserved honors, and with one voice called me a Venus. I now perceive that I am a victim to that name. I submit. Lead me to that rock to which my unhappy fate has destined me."
Accordingly, all things being prepared, the royal maid took her place in the procession, which more resembled a funeral than a nuptial pomp, and with her parents, amid the lamentations of the people, ascended the mountain, on the summit of which they left her alone, and with sorrowful hearts returned home.

While Psyche stood on the ridge of the mountain, panting with fear and with eyes full of tears, the gentle Zephyr raised her from the earth and bore her with an easy motion into a flowery dale. By degrees her mind became composed, and she laid herself down on the grassy bank to sleep.
When she awoke refreshed with sleep, she looked round and beheld near a pleasant grove of tall and stately trees. She entered it, and in the midst discovered a fountain, sending forth clear and crystal waters, and fast by, a magnificent palace whose august front impressed the spectator that it was not the work of mortal hands, but the happy retreat of some god. Drawn by admiration and wonder, she approached the building and ventured to enter.
Every object she met filled her with pleasure and amazement. Golden pillars supported the vaulted roof, and the walls were enriched with carvings and paintings representing beasts of the chase and rural scenes, adapted to delight the eye of the beholder. Proceeding onward, she perceived that besides the apartments of state there were others filled with all manner of treasures, and beautiful and precious productions of nature and art.
While her eyes were thus occupied, a voice addressed her, though she saw no one, uttering these words, "Sovereign lady, all that you see is yours. We whose voices you hear are your servants and shall obey all your commands with our utmost care and diligence. Retire, therefore, to your chamber and repose on your bed of down, and when you see fit, repair to the bath. Supper awaits you in the adjoining alcove when it pleases you to take your seat there."
Psyche gave ear to the admonitions of her vocal attendants, and after repose and the refreshment of the bath, seated herself in the alcove, where a table immediately presented itself, without any visible aid from waiters or servants, and covered with the greatest delicacies of food and the most nectareous wines. Her ears too were feasted with music from invisible performers; of whom one sang, another played on the lute, and all closed in the wonderful harmony of a full chorus.
She had not yet seen her destined husband. He came only in the hours of darkness and fled before the dawn of morning, but his accents were full of love, and inspired a like passion in her. She often begged him to stay and let her behold him, but he would not consent. On the contrary he charged her to make no attempt to see him, for it was his pleasure, for the best of reasons, to keep concealed.
"Why should you wish to behold me?" he said. "Have you any doubt of my love? Have you any wish ungratified? If you saw me, perhaps you would fear me, perhaps adore me, but all I ask of you is to love me. I would rather you would love me as an equal than adore me as a god."
This reasoning somewhat quieted Psyche for a time, and while the novelty lasted she felt quite happy. But at length the thought of her parents, left in ignorance of her fate, and of her sisters, precluded from sharing with her the delights of her situation, preyed on her mind and made her begin to feel her palace as but a splendid prison. When her husband came one night, she told him her distress, and at last drew from him an unwilling consent that her sisters should be brought to see her.
So, calling Zephyr, she acquainted him with her husband's commands, and he, promptly obedient, soon brought them across the mountain down to their sister's valley. They embraced her and she returned their caresses.
"Come," said Psyche, "enter with me my house and refresh yourselves with whatever your sister has to offer."

Then taking their hands she led them into her golden palace, and committed them to the care of her numerous train of attendant voices, to refresh them in her baths and at her table, and to show them all her treasures. The view of these celestial delights caused envy to enter their bosoms, at seeing their young sister possessed of such state and splendor, so much exceeding their own.
They asked her numberless questions, among others what sort of a person her husband was. Psyche replied that he was a beautiful youth, who generally spent the daytime in hunting upon the mountains.
The sisters, not satisfied with this reply, soon made her confess that she had never seen him. Then they proceeded to fill her bosom with dark suspicions. "Call to mind," they said, "the Pythian oracle that declared you destined to marry a direful and tremendous monster. The inhabitants of this valley say that your husband is a terrible and monstrous serpent, who nourishes you for a while with dainties that he may by and by devour you. Take our advice. Provide yourself with a lamp and a sharp knife; put them in concealment that your husband may not discover them, and when he is sound asleep, slip out of bed, bring forth your lamp, and see for yourself whether what they say is true or not. If it is, hesitate not to cut off the monster's head, and thereby recover your liberty."
Psyche resisted these persuasions as well as she could, but they did not fail to have their effect on her mind, and when her sisters were gone, their words and her own curiosity were too strong for her to resist. So she prepared her lamp and a sharp knife, and hid them out of sight of her husband. When he had fallen into his first sleep, she silently rose and uncovering her lamp beheld not a hideous monster, but the most beautiful and charming of the gods, with his golden ringlets wandering over his snowy neck and crimson cheek, with two dewy wings on his shoulders, whiter than snow, and with shining feathers like the tender blossoms of spring.

As she leaned the lamp over to have a better view of his face, a drop of burning oil fell on the shoulder of the god. Startled, he opened his eyes and fixed them upon her. Then, without saying a word, he spread his white wings and flew out of the window. Psyche, in vain endeavoring to follow him, fell from the window to the ground.
Cupid, beholding her as she lay in the dust, stopped his flight for an instant and said, "Oh foolish Psyche, is it thus you repay my love? After I disobeyed my mother's commands and made you my wife, will you think me a monster and cut off my head? But go; return to your sisters, whose advice you seem to think preferable to mine. I inflict no other punishment on you than to leave you for ever. Love cannot dwell with suspicion." So saying, he fled away, leaving poor Psyche prostrate on the ground, filling the place with mournful lamentations.
When she had recovered some degree of composure she looked around her, but the palace and gardens had vanished, and she found herself in the open field not far from the city where her sisters dwelt. She repaired thither and told them the whole story of her misfortunes, at which, pretending to grieve, those spiteful creatures inwardly rejoiced.

"For now," said they, "he will perhaps choose one of us." With this idea, without saying a word of her intentions, each of them rose early the next morning and ascended the mountain, and having reached the top, called upon Zephyr to receive her and bear her to his lord; then leaping up, and not being sustained by Zephyr, fell down the precipice and was dashed to pieces.
Psyche meanwhile wandered day and night, without food or repose, in search of her husband. Casting her eyes on a lofty mountain having on its brow a magnificent temple, she sighed and said to herself, "Perhaps my love, my lord, inhabits there," and directed her steps thither.
She had no sooner entered than she saw heaps of corn, some in loose ears and some in sheaves, with mingled ears of barley. Scattered about, lay sickles and rakes, and all the instruments of harvest, without order, as if thrown carelessly out of the weary reapers' hands in the sultry hours of the day.
This unseemly confusion the pious Psyche put an end to, by separating and sorting everything to its proper place and kind, believing that she ought to neglect none of the gods, but endeavor by her piety to engage them all in her behalf. The holy Ceres, whose temple it was, finding her so religiously employed, thus spoke to her, "Oh Psyche, truly worthy of our pity, though I cannot shield you from the frowns of Venus, yet I can teach you how best to allay her displeasure. Go, then, and voluntarily surrender yourself to your lady and sovereign, and try by modesty and submission to win her forgiveness, and perhaps her favor will restore you the husband you have lost."
Psyche obeyed the commands of Ceres and took her way to the temple of Venus, endeavoring to fortify her mind and ruminating on what she should say and how best propitiate the angry goddess, feeling that the issue was doubtful and perhaps fatal.

Venus received her with angry countenance. "Most undutiful and faithless of servants," said she, "do you at last remember that you really have a mistress? Or have you rather come to see your sick husband, yet laid up of the wound given him by his loving wife? You are so ill favored and disagreeable that the only way you can merit your lover must be by dint of industry and diligence. I will make trial of your housewifery." Then she ordered Psyche to be led to the storehouse of her temple, where was laid up a great quantity of wheat, barley, millet, vetches, beans, and lentils prepared for food for her pigeons, and said, "Take and separate all these grains, putting all of the same kind in a parcel by themselves, and see that you get it done before evening." Then Venus departed and left her to her task.

But Psyche, in a perfect consternation at the enormous work, sat stupid and silent, without moving a finger to the inextricable heap.

While she sat despairing, Cupid stirred up the little ant, a native of the fields, to take compassion on her. The leader of the anthill, followed by whole hosts of his six-legged subjects, approached the heap, and with the utmost diligence taking grain by grain, they separated the pile, sorting each kind to its parcel; and when it was all done, they vanished out of sight in a moment.
Venus at the approach of twilight returned from the banquet of the gods, breathing odors and crowned with roses. Seeing the task done, she exclaimed, "This is no work of yours, wicked one, but his, whom to your own and his misfortune you have enticed." So saying, she threw her a piece of black bread for her supper and went away.
Next morning Venus ordered Psyche to be called and said to her, "Behold yonder grove which stretches along the margin of the water. There you will find sheep feeding without a shepherd, with golden-shining fleeces on their backs. Go, fetch me a sample of that precious wool gathered from every one of their fleeces."

Psyche obediently went to the riverside, prepared to do her best to execute the command. But the river god inspired the reeds with harmonious murmurs, which seemed to say, "Oh maiden, severely tried, tempt not the dangerous flood, nor venture among the formidable rams on the other side, for as long as they are under the influence of the rising sun, they burn with a cruel rage to destroy mortals with their sharp horns or rude teeth. But when the noontide sun has driven the cattle to the shade, and the serene spirit of the flood has lulled them to rest, you may then cross in safety, and you will find the woolly gold sticking to the bushes and the trunks of the trees."
Thus the compassionate river god gave Psyche instructions how to accomplish her task, and by observing his directions she soon returned to Venus with her arms full of the golden fleece; but she received not the approbation of her implacable mistress, who said, "I know very well it is by none of your own doings that you have succeeded in this task, and I am not satisfied yet that you have any capacity to make yourself useful. But I have another task for you. Here, take this box and go your way to the infernal shades, and give this box to Proserpine and say, 'My mistress Venus desires you to send her a little of your beauty, for in tending her sick son she has lost some of her own.' Be not too long on your errand, for I must paint myself with it to appear at the circle of the gods and goddesses this evening."

Psyche was now satisfied that her destruction was at hand, being obliged to go with her own feet directly down to Erebus. Wherefore, to make no delay of what was not to be avoided, she goes to the top of a high tower to precipitate herself headlong, thus to descend the shortest way to the shades below. But a voice from the tower said to her, "Why, poor unlucky girl, do you design to put an end to your days in so dreadful a manner? And what cowardice makes you sink under this last danger who have been so miraculously supported in all your former?" Then the voice told her how by a certain cave she might reach the realms of Pluto, and how to avoid all the dangers of the road, to pass by Cerberus, the three-headed dog, and prevail on Charon, the ferryman, to take her across the black river and bring her back again. But the voice added, "When Proserpine has given you the box filled with her beauty, of all things this is chiefly to be observed by you, that you never once open or look into the box nor allow your curiosity to pry into the treasure of the beauty of the goddesses."

Psyche, encouraged by this advice, obeyed it in all things, and taking heed to her ways traveled safely to the kingdom of Pluto. She was admitted to the palace of Proserpine, and without accepting the delicate seat or delicious banquet that was offered her, but contented with coarse bread for her food, she delivered her message from Venus. Presently the box was returned to her, shut and filled with the precious commodity. Then she returned the way she came, and glad was she to come out once more into the light of day.

But having got so far successfully through her dangerous task a longing desire seized her to examine the contents of the box. "What," said she, "shall I, the carrier of this divine beauty, not take the least bit to put on my cheeks to appear to more advantage in the eyes of my beloved husband!" So she carefully opened the box, but found nothing there of any beauty at all, but an infernal and truly Stygian sleep, which being thus set free from its prison, took possession of her, and she fell down in the midst of the road, a sleepy corpse without sense or motion.
But Cupid, being now recovered from his wound, and not able longer to bear the absence of his beloved Psyche, slipping through the smallest crack of the window of his chamber which happened to be left open, flew to the spot where Psyche lay, and gathering up the sleep from her body closed it again in the box, and waked Psyche with a light touch of one of his arrows. "Again," said he, "have you almost perished by the same curiosity. But now perform exactly the task imposed on you by my mother, and I will take care of the rest."
Then Cupid, as swift as lightning penetrating the heights of heaven, presented himself before Jupiter with his supplication. Jupiter lent a favoring ear, and pleaded the cause of the lovers so earnestly with Venus that he won her consent. On this he sent Mercury to bring Psyche up to the heavenly assembly, and when she arrived, handing her a cup of ambrosia, he said, "Drink this, Psyche, and be immortal; nor shall Cupid ever break away from the knot in which he is tied, but these nuptials shall be perpetual."

Psyche and Cupid have a daughter, called Voluptas (Hedone in Greek mythology), the goddess of "sensual pleasures", whose Latin name means "pleasure" or "bliss".

source: Folklore and Mythology Electronic Texts, wikipedia

Wednesday, September 5, 2012

Love with Gratitude

THE TRIANGLE OF LOVE
We may represent love as a triangle, each of the angles of which corresponds to one of its inseparable characteristics. There can be no triangle without all its three angles, and there can be no true love without its three following characteristics:
The first angle of out triangle of love is that love knows no bargaining. The second angle of the triangle of love is that love knows no fear. The third angle of the love-triangle is that love knows no rival, for in it is always embodied the lover's highest ideal.
Love we hear spoken of everywhere. Everyone says, "Love God".Men do not know what it is to love. If they did, they would not talk so glibly about it. Every man says he can love and then in no time finds out that there is no love in his nature. Every woman says she can love and soon finds out that she cannot. The world id full of the talk of love, but it is hard to love. Where is love? How do you know there is love? The first test of love is that it knows no bargaining. So long as you see a man love another only to get something from him, you know that it is not love. It is shopkeeping. Wherever there is any question of buying and seeling, it is not love. So when a man prays to God, "Give me this, and give me that,"it is not love. How can it be? I offer you a prayer and you give me something in return. That is what it is- mere shopkeeping.
A certain great king went to hunt in a forest, and there he happened to meet a sage. He had a little conversation with him and became so pleased with him that he asked him to accept a present from him. "No", said the sage, "I am perfectly satisfied with my condition. These trees give me enough fruit to eat. These beautiful pure streams supply me with all the water I want. I sleep in these caves. What do I care for your presents, though you be an emporor?" The emporor said, "Just to purify me, to gratify me, come with me into the city and take some present."At last the sage consented to go with the emporor, and he was taken into the epmoror's palace, where there were gold, jewellery, marble, and most wonderful things. Wealth and power were manifest everywhere. The emporor asked the sage to wait a minute while he repeated his prayer, and he went to a corner and began to pray, "Lord, give me more wealth, more children, more territory." Meanwhile, the sage got up and began to walk away. The emporor saw him saw him going and went after him. 'Stay Sir, you did not take my present and are going away." The sage turned to him and said "Beggar, I do not beg of beggars. What can you give? You have been begging yourself all the time. "
That is not the language of love. What is the difference between love and shopkeeping if you ask God to give you this and give you that? The first test of Love is that it knows no bargaining. Love is always the giver and never the taker. Says the child of God: "If God wants, i give Him my everything, but i do not want anything from Him. I want nothing in this universe. I love Him because I want to love Him, and I ask no favour in return. Who cares whether God is almighty or not? I do not want any power from Him not any manifestation of His power. Sufficient for me that He is the God of love. I ask no more questions."
The second test is that love knows no fear. So long as man thinks of God as a Being sitting above the clouds, with rewards in one hand and punishments in the other, there can be no love. Can you frighten me into love? Does the lamb love the lion? The mouse, the cat? The slave, the master? Slaves sometimes simulate love, but is it love? where do you ever see love in fear? It is always a sham. With love never comes the idea of fear. Think of a young mother in the street: If a dog barks at her, she flees into the nearest house. The next day she is in the street with her child, and suppose a lion rushes upon the child. Where will be her position? Just at the mouth of the lion, protecting her child. Love conquered all her fear. So also in the love of God.
Who cares whether God is rewarder or a punisher? That is not the thought of a lover. Think of a judge when he comes home: What does his wife see in him? Not a judge, or a rewarder, or a punisher, but her husband, her love. What do his children see in him? Their loving father- not the punisher or rewarder. So the children of God never see in Him a punisher or a rewarder. it is only people who have never tasted of love that fear and quake. Cast off all fear- though these horrible ideas of God as a punisher or rewarder may have their use in savage minds. Some men, even th emost intellectual, are spiritual savages, and these ideas may help them. But to men who are spiritual, men who are approaching religion, in whom spiritual insight is awakened, such ideas are simply childish, simply foolish. Such men reject all ideas of fear.
The third is a still higher test. Love is always the highest ideal. When one has passed through the first two stages, when one has thrown off all all shopkeeping and cast off all fear, one then begins to realize that love is always the highest ideal. How many times in this world we see a beautiful woman loving an ugly man! How many times we see handsome man loving an ugly woman! What is the attraction? Lookers- on only see the ugly man or the ugly woman, but not so the lover. To the lover, the beloved is the most beautiful being that ever existed. How is it? The woman who loves the ugly man takes, as it were, the ideal of beauty that is in her own mind and projects it on thsi ugly man; and what she loves and worships is not the ugly man, but her own ideal. That man is, as it were, only the suggestion; and upon that suggestion she throws her own ideal and covers it, and it becomes her object of worship. Now this applies in every case where we love.
The highest ideal of every man is called God. Ignorant or wise, saint or sinner, man or woman, educated or uneducated, cultivated or uncultivated- to every human being the highest ideal is God. the synthesis of all the highest ideals of beauty, of sublimity, and of power gives us the most complete conception of the loving and lovable God.
- A chapter from Vedanta, the Voice to Freedom (Swami Vivekanda)
 
Happy Teacher's Day!
~ Love with Gratitude